In this invaluable and thought-provoking book, Vladimir Belogolovsky reflects on nearly 20 years of conversations with leading creatives from around the world whose focus is on art, photography, architecture, design, critical theory, and more. His intimate dialogues are with prolific visionaries, the likes of Paul Andreu, Aaron Betsky, Tatiana Bilbao, Christo, Norman Foster, Zaha Hadid, Toyo Ito, Glenn Murcutt, Renzo Piano, Moshe Safdie, Ric Scofido, Richard Serra, Frank Stella, Michael Sorkin, Stanley Tigerman, Bernard Tschumi, Lin Utzon, Massimo Vignelli, Madelon Vriesendorp, and so many others. He exposes the complexity of their thought processes, while comparing and contrasting them to one another to distill more than 101 ideas. His engaging narrative captures the stories behind every project and every personality while exploring many important questions, including what makes a building architecture? How would a Futurist solve problems vs those whose focus is on nostalgia? The selection of interviews gathers many answers and intentions, but inevitably, also many more questions. Imagine Buildings Floating Like Clouds represents a diverse group of multitalented, creative people who work in disparate places culturally and climatically and came of age in very different times-from the revolutionary 1960s to our own time, when the future, for many, is being more feared than desired.

Some architects regard a visit to Chicago as equal in importance to a pilgrimage to Rome or Athens: The soaring American metropolis at the shores of Lake Michigan has amassed an unmatched collection of first-rate buildings in every possible style since late nineteenth-century industrialization. This book looks at Chicago through the prism of Post-Modernism - under the premise that this style did not cease to exist sometime in the 1990s, but is, in fact, still with us today. Starting with the 1978 Illinois Regional Library for the Blind and Physically Handicapped, curator and critic Vladimir Belogolovsky presents 100 structures, most of which were created after the turn of the millennium. These lavishly illustrated building descriptions are supplemented by introductory essays and interviews with Chicago architects, including Stanley Tigerman, Helmut Jahn and Jeanne Gang.

David Hu's Sea Girt House ocillates gracefully between a sort of proto minimalism and a hyper orchestrated spatial awareness. It's a project that makes no bones about its purpose of providing a single-minded solitude for its inhabitant, even while demonstrating its unwavering solicitude towards its surrounding enviornment.

Vladimir Belogolovsky's Harry Seidler: The Exhibition leaves no stone unturned in documenting his ongoing, four years in the making to date, world tour exhibition, Harry Seidler: Painting Toward Architecture. It examines the blurry boundaries between art and architecture and how these disciplines inspire one another by bringing to focus the work of Vienna-born Australian modernist Harry Seidler and his creative collaborations with a dozen of world-renowned architects and artists. Curator of 20 Seidler exhibitions and author of Harry Seidler: Lifework (Rizzoli, 2014), Belogolovsky provides detailed insights into the project from beginning to end: pitching initial exhibition idea to the client, developing its concept, arranging the tour, preparing the content, designing individual exhibitions, managing installations, presenting the lecture, initiating new collaborations and projects. The book's focus on a single touring exhibition is unprecedented; it explores what typical exhibition catalogues miss entirely - spatial engagement with the content by the public. In its attempt to present various aspects of a single exhibition the book raises fundamental curatorial issues beyond the project in question.

Vladimir Belogolovsky's Harry Seidler: The Exhibition leaves no stone unturned in documenting his ongoing, four years in the making to date, world tour exhibition, Harry Seidler: Painting Toward Architecture. It examines the blurry boundaries between art and architecture and how these disciplines inspire one another by bringing to focus the work of Vienna-born Australian modernist Harry Seidler and his creative collaborations with a dozen of world-renowned architects and artists. Curator of 20 Seidler exhibitions and author of Harry Seidler: Lifework (Rizzoli, 2014), Belogolovsky provides detailed insights into the project from beginning to end: pitching initial exhibition idea to the client, developing its concept, arranging the tour, preparing the content, designing individual exhibitions, managing installations, presenting the lecture, initiating new collaborations and projects. The book's focus on a single touring exhibition is unprecedented; it explores what typical exhibition catalogues miss entirely - spatial engagement with the content by the public. In its attempt to present various aspects of a single exhibition the book raises fundamental curatorial issues beyond the project in question.

Since the mid-1990s, when China allowed its architects to practice independently from government-run design institutes, a new kind of architecture, distinguished by unique regional characteristics, has emerged. China Dialogues is a rigorously selected collection of insightful interviews that the book's author Vladimir Belogolovsky has conducted with 21 leading Chinese architects during his extensive travels in China. At the time when so many buildings that are being built around the world are no longer rooted in their place and culture, the leading Chinese architects succeeded collectively in producing unique architectural body of work that could not be confused with any other regional school. The interviews are accompanied by over 120 photographs and drawings of beautifully executed projects built throughout China since early 2000s. China Dialogues opens up the thinking process of the country's top architects, as they share their ideas, insights, intentions, and visions in unusually revealing and candid ways.

This architectural guide brings together 100 of the most original structures built in New York City since 1999. Vladimir Belogolovsky pairs them with such nicknames as Guillotine, Peacock, Shark's Fin, Turtle Shell, and Woodpecker. The New York-based author's selection covers buildings realized by the world's most renowned architects in a period when their creations were celebrated as art, and personal styles were encouraged by the media, critics, and clients. The featured time span begins with the rise of the starchitect in the late 1990s and ends in the present day. But the mission of the book is not only to document; it is also to celebrate New York's transformative energy. Many of the buildings were designed either by foreign architects or those who settled in the city and now call it home. Through witty, incisive commentary, catchy nicknames, and quotes from the author's interviews with the architects, this singular guide allows readers to see many of New York's contemporary icons in a new way.

Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.